
Sable Elyse Smith
Sable Elyse Smith Much of my practice is derived from the intersection of cinema, language, particularly the written text, and image making: construction, deconstruction, and

Sable Elyse Smith Much of my practice is derived from the intersection of cinema, language, particularly the written text, and image making: construction, deconstruction, and
Anna Glantz My paintings reflect an endless search for inventive and surprising images that have the ability to stimulate both sensually and intellectually. Repeated motifs
Elizabeth Tubergen The triangulated relationship between the artist, the artwork, and the audience is at the foundation of my practice, especially as it manifests spatially.
Autumn Knight In my interdisciplinary work, I create performances, installation and video works that re-think and re-make societal ideas about race, gender, history and the
Ander Mikalson I create objects and drawings that invite human connection through their use, instruction and affordances. I use the language of scores, contracts, stage
Sara Stern I approach my projects as an expanded form of ventriloquism. I make architecture, characters, historical objects, and photographs speak and perform. I work