Madeleine Hunt-Ehrlich
Madeline Hunt-Ehrlich “How can narrative embody life in words, and at the same time respect what we cannotknow?” – Saidiya HartmanI make work about black
Madeline Hunt-Ehrlich “How can narrative embody life in words, and at the same time respect what we cannotknow?” – Saidiya HartmanI make work about black
Rachel Labine My work sits within the tension between flattened two-dimensional space and affectiveembodied experience, where spatial flips and pauses occur at the levels of
Sharon Madanes Henri Bergson wrote that art removes what “veils reality from us, in order to bring us face to face with reality itself.” I
Talia Levitt As with all deemed forbidden, marginal or disregarded, trompe l’oeil and still life have been ripe for cooptation and reinvention starting in the
Elliott Jerome Brown Jr. What if one’s right to privacy was just as valuable as visibility? My work is concerned with the role of photography, a
Elizabeth Tubergen The triangulated relationship between the artist, the artwork, and the audience is at the foundation of my practice, especially as it manifests spatially.
Autumn Knight In my interdisciplinary work, I create performances, installation and video works that re-think and re-make societal ideas about race, gender, history and the
Ander Mikalson I create objects and drawings that invite human connection through their use, instruction and affordances. I use the language of scores, contracts, stage