Rachelle Mozman Solano
Rachelle Mozman Solano is an artist and psychoanalyst who makes work between New York
City and Panama. Her work mines, re interprets and subverts ethnographic traditions within
film and photography. Through her art Mozman probes the origins of these mediums and their
relationship to history, class and race. Her work addresses the space where ideology,
mythology, economics and the psyche converge within film and photographic storytelling. Her
recent photographs, Venas Abiertas, gives voice to the complex, continuously transforming, and
at times painful story of US, Latin American relations, particularly on the border and Central
America. The images reference and are titled after texts from varied sources and different
periods in history. In her film work Opaque Mirror, and photographic work, Cast of Women,
Mozman re–interprets Paul Gauguin’s work in Tahiti and imagines the work he may have made
in Panama before Tahiti. Mozman has made work based on the oral stories told to her of the
women in her family in Panama as a consequence of colonialism in Casa de Mujeres and the
experience of immigration in La Negra. Ultimately Mozman’s art makes visible experiences that
have been historically invisible while re–examining and re–interpreting our collective stories.
City and Panama. Her work mines, re interprets and subverts ethnographic traditions within
film and photography. Through her art Mozman probes the origins of these mediums and their
relationship to history, class and race. Her work addresses the space where ideology,
mythology, economics and the psyche converge within film and photographic storytelling. Her
recent photographs, Venas Abiertas, gives voice to the complex, continuously transforming, and
at times painful story of US, Latin American relations, particularly on the border and Central
America. The images reference and are titled after texts from varied sources and different
periods in history. In her film work Opaque Mirror, and photographic work, Cast of Women,
Mozman re–interprets Paul Gauguin’s work in Tahiti and imagines the work he may have made
in Panama before Tahiti. Mozman has made work based on the oral stories told to her of the
women in her family in Panama as a consequence of colonialism in Casa de Mujeres and the
experience of immigration in La Negra. Ultimately Mozman’s art makes visible experiences that
have been historically invisible while re–examining and re–interpreting our collective stories.
California marks the limit of geographical progress of civilization
pigment print,
28x32 inches, 2022
We have to contend with an alien race, one with a different language, different customs, different moral standards and different diseases", from the Journal of American Medical Association
1926, pigment print, 28x32 inches, 2020
When a woman falls in love with a banana de sangre puro
pigment print, 28x32 inches,
2020
am not going to tell you that (Mexicans) are the best people on the face of the earth,or that they will have made wonderful citizens...” Testimony in House Committee on Immigration, 1928,
pigment print, 28x32 inches, 2021
Mozman-Solano---The way down is hard. Slabs of stone, slippery with moss, are set into the vertiginous cliff, and it is down this cliff that one begins the descent to the bodies or what is left of the bodes
pigment print, 28x32 inches, 2021
I am a federal officer, I hear that two Chinamen have come across from Mexico and are headed for Tucson, on foot
pigment print, 28x32 inches, 2021
A Mirror is A Door Through Which A Soul May Pass
pigment print, 28x32 inches, 2021
I had wished for a long time to make a portrait of one of my neighbors
pigment print, 16x20 inches, 2016
She had a terrible reputation of having brought a number of her lovers to their grave
pigment print, paper, 20x24 inches, 2018
I was hopeful to find in this place my happiness
pigment print, paper, 20x24 inches, 2018
Profile with monstera
pigment print, 16x20 inches, 2016
Child pose
pigment print, 16x20 inches, 2016
Soledad y Natasha por el castillo
pigment print, 28x32 inches, 2018
Jade and Head of Tahitian Woman
pigment print, paper, 20x24 inches, 2018
Nueva Yol
pigment print, 23x26 inches, 2013
Polvo Blanco
pigment print, 23x26 inches, 2013
En el cuarto de la niña
23x26 inches, 2010
Piscina
23x26 inches, 2010