Van Hanos My work engages a fundamental duality: a full embrace of painting, despite my ambivalence about its limitations as a live and contingent medium;

Maia Cruz Palileo Frozen in a state of unresolved mystery, my paintings reveal the quietculture of family secrets and the shadows they cast on the

Kameelah Rasheed In 1998, my family was displaced and we became homeless. For ten years, our bodies and memories werefragmented across shelters, motels and the

Bea Parsons I use painting as a means of representing mental liminal space. The images are conjured from an introspective painting practice that involves working

Jory Rabinovitz I am interested in exploration and conversation concerning sculpture. Sculpture as an object that insists on its own physical presence—a static holder of

Dora Budor The tensions between the bodies and effects active in cinematic space today becomesymptoms of production that has largely shifted from analog to digital

Reka Reisinger In my work I use the process of photography as an attempt to better understand my existence in the context of the world

Naama Tsabar My interest is in objects and materials which have a distinct functional purpose within a bigger encompassing experience. Zooming in on these objects,

Abigail DeVille Abigail DeVilleThe original nightHas not loosened upits hard mysterious bonesnot even the first day has spilledits clarities           about unbelievable

Narsiso Martinez My drawings are based on my personal experience with the agricultural industry. I grew up in an agricultural environment and I’ve been connected to the